英語作文關於書法

1. 以書法為話題英語作文

距今天12天你還要嗎？

2. 求一篇英語作文，要以「書法」為話題，120字左右

Writing, that is to say,just as the painting,which can be apreciated or critized . If you want to have such a good writing ,you must practise everyday,and you have better to immitate by the good writing ,which can improve your writing effectively.As for me,I think it is very important that you have some interest about it .This will make you train yourself willingly. As far as I am concered ,I like writing just as my teacher ,there was a time ,when I just a junior school stent ,my teacher said ,good writing is helpful for us ,especially in the exam,the same question ,because of good writing ,which can get more. So ,when you start to improve it ,you shuoud have a goal or intest.

3. 關於書法能人的英語作文

calligraphy
Easier - Calligraphy is the art of making beautiful or elegant handwriting. It is a fine art of skilled penmanship.
Harder - The word calligraphy literally means beautiful writing. Before the invention of the printing press some 500 years ago, it was the way books were made. Each was handwritten out by a scribe working in a scriptorium. The hand writing was done with quill and ink onto materials like vellum or parchment. The lettering style applied was one of the period bookhands like rustic, carolingian, blackletter, etc.
Today, there are three main types or styles of calligraphy: (1) Western or Roman, (2) Arabic, and (3) Chinese or Oriental. This project focuses mainly on Western calligraphy with a glimpse at the other two styles.

4. 英語作文（關於書法的）

這個說說也不太難啊，你可以這樣說：
1.這個世界在1840年以專前是中國屬，還2040年以後還是中國的，僅有這200年，中國需要發展，當然了，能夠有那麼多的人學習漢語，一定有人對博大精深的書法感興趣了，外面人都可以學習，何況是中國人呢！
2.中國的書法，只有中國的文字才有書法，日本和韓國的是學中國的或者模仿的也還中國也一支的。
3.書法是無聲的聲音，無色的繪畫，用毛筆寫字也可以鍛煉人的性情，讓人們對中華文化的博大精深更好地理解！
暫時就說這么多吧，一點拙見，希望能幫到你！

5. 關於我愛書法的英語作文，要20篇

我喜歡書法藝術,中國書法源遠流長,是我國的瑰寶之一．鋼筆書法堅挺剛勁，毛筆書法飄逸秀美。但我最喜歡的是鋼筆書法。我為什麼喜歡寫鋼筆字呢？那是因為我們家祖祖輩輩都沒有一個人能寫好鋼筆字。爸爸為了改變這個事實，就叫我學鋼筆字，這樣，我與書法便結下了不解之緣。剛開始練書法的時候，我怎麼也學不好，也沒有耐心去學。記的有一次，我問我的書法老師：「老師，我學書法已經有半年了，怎麼一點也學不好呢？」老師微笑著意味深長地對我說：「學書法首先要有信心，其次要有決心，最後還要有耐心。不管做什麼事情，都要有著『三心』，才能把事情做好。」我聽了老師的這番話，覺得很有道理，於是下狠功夫練習書法。漸漸地，我對書法產生了濃厚的興趣，進步越來越大了。這樣我勤學苦練書法整整一年，終於有了結果。 I love the art of calligraphy, Chinese calligraphy has a long history, is one of the treasures of our country. The pen calligraphy strong bold brush calligraphy elegant, beautiful. But I like most is the pen calligraphy. 我為什麼喜歡寫鋼筆字呢？那是因為我們家祖祖輩輩都沒有一個人能寫好鋼筆字。爸爸為了改變這個事實，就叫我學鋼筆字，這樣，我與書法便結下了不解之緣。 Why I like writing pen? It is because our family for generations do not have a person to write the word pen. Father in order to change this fact, called me to learn the word pen, so, I and calligraphy has the indissoluble bound. 剛開始練書法的時候，我怎麼也學不好，也沒有耐心去學。記的有一次，我問我的書法老師：「老師，我學書法已經有半年了，怎麼一點也學不好呢？」老師微笑著意味深長地對我說：「學書法首先要有信心，其次要有決心，最後還要有耐心。不管做什麼事情，都要有著『三心』，才能把事情做好。」我聽了老師的這番話，覺得很有道理，於是下狠功夫練習書法。漸漸地，我對書法產生了濃厚的興趣，進步越來越大了。這樣我勤學苦練書法整整一年，終於有了結果。 When just started practicing calligraphy, I also learn how not to be good, also do not have the patience to learn. Remember once, I asked my calligraphy teacher: "teacher, I learn calligraphy has been half a year, why are not learn English well?" The teacher smiled express volumes to me said: "learn calligraphy must first have the confidence, the second to be determined, finally also must have patience. No matter what you do, must have a 'three hearts', in order to do a good job." I listen to the words of the teacher, feel very reasonable, so under the relentless effort to practice calligraphy. Graally, I became interested in calligraphy, improving more and more. So I practice handwriting for a whole year, finally results.雙語對照翻譯不正確取消

6. 誰有關於中國書法的英文介紹

1、英文

Chinese calligraphy is an ancient writing art of Chinese characters. From oracle bone inscriptions.

stone drum inscriptions and bronze inscriptions (Zhong Dingwen) to large seal inscriptions, small seal inscriptions and official scripts, to cursive scripts.

regular scripts and running scripts of the Eastern Han, Wei and Jin Dynasties, Chinese calligraphy has been exuding artistic charm.

Calligraphy is a unique traditional art in China. Chinese characters were created by the working people. They began to record things by pictures.

After thousands of years of development, they have evolved into today's characters. Because their ancestors invented writing with brushes, they have proced calligraphy.

From ancient times to modern times, brush writing has been the main way to write Chinese characters. As for other writing forms, such as hard pen, finger book, etc.

their writing rules are not quite different from brush writing, but basically similar.

Calligraphy refers to the writing style, structure and constitution according to the characteristics and meanings of the characters, making it an aesthetic work of art.

2、中文

中國書法是一門古老的漢字的書寫藝術，從甲骨文、石鼓文、金文（鍾鼎文）演變而為大篆、小篆、隸書，至定型於東漢、魏、晉的草書、楷書、行書等，書法一直散發著藝術的魅力。

書法是中國特有的一種傳統藝術。中國漢字是勞動人民創造的，開始以圖畫記事，經過幾千年的發展，演變成了當今的文字，又因祖先發明了用毛筆書寫，便產生了書法。

古往今來，均以毛筆書寫漢字為主，至於其他書寫形式，如硬筆、指書等，其書寫規律與毛筆字相比，並非迥然不同，而是基本相通。

書法是指按照文字特點及其含義，以其書體筆法、結構和章法書寫，使之成為富有美感的藝術作品。

(6)英語作文關於書法擴展閱讀：

中國的歷史文明是一個歷時性、線性的過程，中國的書法藝術在這樣大的時代背景下展示著自身的發展面貌。

在書法的萌芽時期（殷商至漢末三國），文字經歷由甲骨文、古文（金文）、大篆（籀文）、小篆、隸（八分）、草書、行書、真書等階段，依次演進。

在書法的明朗時期（晉南北朝至隋唐），書法藝術進入了新的境界。由篆隸趨從於簡易的草行和真書，它們成為該時期的主流風格。

大書法家王羲之的出現使書法藝術大放異彩，他的藝術成就傳至唐朝倍受推崇。同時，唐代一群書法家蜂擁而起，如：虞世南、歐陽詢、楮遂良、顏真卿、柳公權等大名家。

在書法造詣上各有千秋、風格多樣。經歷宋、元、明、清，中國書法成為一個民族符號，代表了中國文化博大精深和民族文化的永恆魅力。

參考資料來源：網路——中國書法

7. 介紹中國書法的英文文章，要字數多點的，急！

to Chinese calligraphy

Chinese calligraphy is an art unique to Asian cultures. Shu (calligraphy),hua(painting),qin(a string musical instrument),and qi(a strategic boardgame) are the four basic skills and disciplines of the Chinese literature.

Regarded as the most abstract and sublime form of art in Chinese culture ,」shu fa」(calligraphy) is often thought to be the most revealing character of one』s personalityDuring the imperial era,calligraphy was used as an important criteria for selection of executives to the imperial court.Unlike other visual art techniques，all calligraphy strokes are permanent and incorrigible，demanding careful planning and confident execution，like the skills required for an administrator executive.While one has to conform to the defined structure of words，the expression can be extremely creative.

Being one of the world's oldest continuously used and active writing systems, Chinese characters can be traced back to the Shang Dynasty (1600 BC-1046 BC). Over thousands of years, the writing of Chinese characters has been evolved into a highly regarded art form, which is often called Chinese calligraphy.

Calligraphy is considered as a treasured artistic form of Chinese culture. It is not merely a practical technique for writing Chinese characters or a tool for written communication, but also, more importantly, a unique expression of the spiritual world of the calligrapher.

Calligraphy conveys the emotions, esthetic feelings, moral integrity and character of the calligrapher. Appreciators of calligraphy can even tell the character, temper or the change of the calligrapher』s social situation by appreciating his/her work.

The ink stick, ink stone, writing brush and paper are the four essential implements of calligraphy. They are known together as the Four Treasures of the Study. These four "tools" have been employed by artists throughout China』s history, from ancient to modern times. Seals are stylized carvings of the artist's name, and it is customary for an artist to use both his/her signature and personal seal on finished paintings, poetry, calligraphy, documents and letters.

Categories

Chinese traditional calligraphy mainly falls into 6 categories: Seal Characters, Official Script, Formal Script, Running Script, Formal Script, Running Script, and Cursive Hand.

Seal Characters 篆書 (zhuan shu)

Dragon (龍) as a Seal Character

It can be divided into Big Seal Characters and Small Seal Characters. The former appeared in the Zhou Dynasty (1046 BC-256 BC) and evolved from oracle bone inscriptions. The neat structure of oracle bone inscriptions laid the foundation for the form of modern Chinese characters. The latter is more simple in form and more standardized in structure than the former. Small Seal Characters, known as Qin Seal Characters, were collected, compiled and prescribed by Li Si after the unification of China by the Qin Empire. Seal Characters are very elegant in style and are widely favored by people today in the creation of calligraphy works.

Official Script 隸書 (li shu)

Dragon (龍) in Official Script

It originated from the Eastern Han Dynasty (25-220). The rise of official script is another reform in Chinese characters, ushering in a new stage of the development of Chinese calligraphy. In fact, it is a transition period in the history of Chinese character development, laying a solid foundation for formal script. Official script features a flat, neat and refined structure. When the Eastern Han Dynasty began, the left-falling stroke and the right-falling stroke bent upwards. Other strokes were characterized by variations considered beautiful in calligraphy. The style of official script features diversification and it has high value for study.

Formal Script 楷書 (kai shu)

Dragon (龍) in Formal Script

It is also known as Zhengshu Script, and evolved from seal characters. It is simpler in structure and square in shape. To be specific, it is more standardized horizontally and vertically. The integral feature of formal script is neatness and orderliness, for which reason it is widely used and favored today.

Running Script 行書 (xing shu)

Dragon (龍) in Running Script

It is the cursive form of formal script. When carefully written with distinguishable strokes, running script characters look more like formal script, while when swiftly written, they look more like cursive hand. It was created ring the Han Dynasty (202 BC-220 AD). In general, it is convenient and highly practical for writing.

Cursive Hand 草書 (cao shu)

Dragon (龍) in Cursive Hand

Cursive hand is characterized by simplified and sketchy forms of characters. It was formed around the Western Han Dynasty (206 BC-8 AD) and became prevalent in the Eastern Han Dynasty (25-220). It has concise structures with borrowed components. Although it looks irregular, cursive hand has high artistic value beyond its practical worthiness.

這是專門介紹中國的書法（毛筆書法）的。
Chinese Calligraphy

The Chinese Brush Calligraphy is one of the traditional four arts which was once an important critical standard for the Chinese literati in the imperial era and now prevails not only in China but also worldwide as a unique branch of art.

Calligraphy is so abstract and sublime that in Chinese culture it is universally regarded to be the most revealing power of a person. While one has conformed to the defined structure of words, the expression can be displayed with great creativity by indivials.

To become an artist or expert in calligraphy, one has to practice word by word and stroke by stroke until the spirit of the practice gets into one's mind. Just as Chinese Qi Gong, the Chinese brush calligraphy can temper a person into a state in which one can apply subconsciousness got from the daily practice to control the concentration of ink and the compatibility of font and size of each piece or word.

In contrast to the Western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural and free impromptu expression. All the varieties of the operation depend on the mental exercise that coordinates the mind and the body to perform the proper sense to choose the proper way in expressing the content of the passage.

Calligraphy is considered as an active way of keeping one fit and health for the practice is either relaxing or self-entertaining. Historically, many calligraphy artists both in China and Japan were well known for their longevity.

__________
找的辛苦。
望彩乃。

8. 我最喜歡中國書法書法的英語作文

法 Chinese Calligraphy Calligraphy is the essence of Chinese culture, which has developed into a special high-level art apart from satisfying the needs of daily writing. It has been flourishing for thousands of years inChina. Shops with strong commercial atmosphere will gain some elegance if they are decorated with some quaint cultural calligraphic works. Sitting rooms, studies and bedrooms can be nice-looking with calligraphy works decorated. As a kind of art work, the writing of calligraphy is particular. The Chinese characters are written on Xuan paper which absorbs ink very well and then are mounted to hang on a wall. The calligraphy w...

9. 英語作文中國書法

中國書法 Chinese Calligraphy
Calligraphy is the essence of Chinese culture, which has developed into a special high-level art apart from satisfying the needs of daily writing. It has been flourishing for thousands of years inChina. Shops with strong commercial atmosphere will gain some elegance if they are decorated with some quaint cultural calligraphic works. Sitting rooms, studies and bedrooms can be nice-looking with calligraphy works decorated. As a kind of art work, the writing of calligraphy is particular. The Chinese characters are written on Xuan paper which absorbs ink very well and then are mounted to hang on a wall. The calligraphy works are mostly a poem or a motto that the host of the room likes it much; if it is written by the host himself, it will demonstrate more his aspiration and interest as well as his talent.

10. 用英語介紹中國書法

The art of calligraphy is widely practiced and revered in the East Asian civilizations that use Chinese characters. These include China, Japan, Korea, and formerly Vietnam[1].In addition to being an artform in its own right, calligraphy has also influenced ink and wash painting, which is accomplished using similar tools and techniques. The East Asian tradition of calligraphy originated and developed from China, specifically the ink and brush writing of Chinese characters. There is a general standardization of the various styles of calligraphy in the East Asian tradition. Calligraphy has also led to the development of many other forms of art in East Asia, including seal carving, ornate paperweights, and inkstones.

[edit] Tools
The paper, ink, brush, and inkstone are essential implements of East Asian calligraphy: they are known together as the Four Treasures of the Study (T: 文房四寶 / S: 文房四寶) in China, and as the Four Friends of the Study (HG: 문방사우 / HJ: 文房四友) in Korea. In addition to these four tools, desk pads and paperweights are also used by calligraphers.

[edit] Paper
Special types of paper are used in East Asian calligraphy.

In China, Xuan, traditionally made in Anhui province, is the preferred type of paper. It is made from the Tartar wingceltis (Pteroceltis tartarianovii), as well as other materials including rice, the paper mulberry (Broussonetia papyrifera), bamboo, hemp, etc.

In Japan, Washi is made from the kozo (paper mulberry), ganpi (Wikstroemia sikokiana), and mitsumata (Edgeworthia papyrifera), as well as other materials like bamboo, hemp, rice, and wheat. somtimes the brush is used to put ink on a pen

[edit] Ink
The ink is made from lampblack (soot) and binders, and comes in sticks which must be rubbed with water on an inkstone until the right consistency is achieved. Much cheaper, pre-mixed bottled inks are now available, but these are used primarily for practice as stick inks are considered higher quality and chemical inks are more prone to bleeding over time, making them less suitable for use in hanging scrolls. Learning to rub the ink is an essential part of calligraphy study. Traditionally, East Asian calligraphy is written only in black ink, but modern calligraphers sometimes use other colours. Calligraphy teachers use a bright orange ink with which they write practice characters for students and correct students' work.

[edit] Brush
The brush is the traditional writing implement in East Asian calligraphy. The body of the brush can be made from either bamboo, or rarer materials like red sandalwood, glass, ivory, silver, and gold. The head of the brush can be made from the hair (or feather) of a wide variety of animals, including the wolf, rabbit, deer, chicken, ck, goat, pig, tiger, etc. There is also a tradition in both China and Japan of making a brush using the hair of a newborn, as a once-in-a-lifetime souvenir for the child. This practice is associated with the legend of an ancient Chinese scholar who scored first in the Imperial examinations by using such a personalized brush.

Today, calligraphy may also be done using a pen, but pen calligraphy does not enjoy the same prestige as traditional brush calligraphy.

[edit] Inkstone
A stone or ceramic inkstone is used to rub the solid ink stick into liquid ink and to contain the ink once it is liquid. Cheaper inkstones are made of plastic.

Inkstones are often carved, so they are collectible works of art on their own.

[edit] Paperweight
Paperweights come in several types: some are oblong wooden blocks carved with calligraphic or pictorial designs; others are essentially small sculptures of people or animals. Like inkstones, paperweights are collectible works of art on their own right.

[edit] Desk pad
The desk pad (Chinese T: 畫氈, S: 畫氈, Pinyin: huàzhān; Japanese: 下敷 shitajiki) is a pad made of felt. Some are printed with grids on both sides, so that when it is placed under the translucent paper, it can be used as a guide to ensure correct placement and size of characters. These printed pads are used only by students. Both desk pads and the printed grids come in a variety of sizes.

[edit] Seal
Main article: Chinese seal
Works of calligraphy are usually completed by the artist putting his or her seal at the very end, in red ink. The seal serves the function of a signature.

[edit] Study

The Chinese method of holding the brushHow the brush is held depends on which calligraphic genre is practiced. For Chinese calligraphy, the method of holding the brush is more special; the brush is held vertically straight gripped between the thumb and middle finger. The index finger lightly touches the upper part of the shaft of the brush (stabilizing it) while the ring and little fingers tuck under the bottom of the shaft. The palm is hollow and you should be able to hold an egg in there. This method, although difficult to hold correctly for the beginner, allows greater freedom of movement, control and execution of strokes. For Japanese calligraphy, the brush is held in the right hand between the thumb and the index finger, very much like a Western pen.

A paperweight is placed at the top of all but the largest pages to prevent slipping; for smaller pieces the left hand is also placed at the bottom of the page for support.

In China, there are many people who practice calligraphy in public places such as parks and sidewalks, using water as their ink and the ground as their paper. Very large brushes are required. Although such calligraphic works are temporary (as the water will eventually dry), they serve the al purpose of both being an informal public display of one's work, and an opportunity to further practice one's calligraphy.

In Japan, smaller pieces of Japanese calligraphy are traditionally written seated in the traditional Japanese way (seiza), on the knees with the buttocks resting on the heels. In modern times, however, practitioners frequently practice calligraphy seated on a chair at a table. Larger pieces may be written while standing; in this case the paper is usually placed directly on the floor, but some calligraphers use an easel.

A man practicing calligraphy in Beihai Park, BeijingCalligraphy takes many years of dedicated practice. Correct stroke order, proper balance and rhythm of characters are essential in calligraphy. Skilled handling of the brush proces a pleasing balance of characters on the paper, thick and thin lines, and heavy and light inking. In most cases, a calligrapher will practice writing the Chinese character yong (永) many, many times in order to perfect the eight basic essential strokes contained within the character. Those who can correctly write the yong character beautifully can potentially write all characters with beauty.

Basic calligraphy instruction is part of the regular school curriculum in both China and Japan.

[edit] Noted calligraphers
Nearly all traditionally ecated men (and sometimes women) in East Asia are proficient in calligraphy. The most famous are: