關於紅樓夢的英語作文

㈠ 《紅樓夢》英文摘抄

15 back Playing politics Wang Fengjie sill temple of iron Whale qin qing have interesting steamed bread
Feng also slightly sit down for a little while, then back to the clean room rest, old, trumpet. At this time the wife see daughter-in-law, are dispersed, from to
Rest, and but few confidants often serve small, old, and said: "one thing is, I have to ask Mrs. Fu, please grandma first
A show. "feng asked what. Old, way:" amitabha! Because the day I first only inside the temple monks in ChangAnXian good season,
There was a benefactor surnamed zhang, is big rich man. He has a daughter nicknamed brother jin, that year to pilgrimages to my temple, met changan don't want to
Fu fu great grandfather's brother-in-law li official's son. The official's son may have a crush on, lee is going to marry brother jin, sent to relatives and friends, don't want to brother jin has received the breakfast club
Changan betroth Fielding's son.
Night without words. Until the next morning, there is jia wang lady sent people to see the treasure jade, and life more than two pieces of clothes, nothing better
Back. Treasure jade that Clinton back and Qin Zhong love with intelligence, instigate the treasure jade feng again live one day. "sister wanted to think: whosoever instrument
Event is completed, and a half things have not installed, you can refer to this live another day, not in front of Jia Zhen send again full of affection, yesterday
Net virtual can finish the matter, the heart of the treasure jade three the smooth jia heard, not happy? Because of the three, to treasure jade way: "my business
All finished, are you going to shop here, many more hard one day, tomorrow is set to go. "the treasure jade heard that thousands of sister
Sister begged: "live only one day, tomorrow will be back." and he spent the night.

Feng had life quietly will yesterday

㈡ 紅樓夢的英文簡介

內容簡介
"The Story of the Stone" (c. 1760), also known as "The Dream of the Red Chamber", is one of the greatest novels of Chinese literature. The fifth part of Cao Xueqin's magnificent saga, "The Dreamer Awakes", was carefully edited and completed by Gao E some decades later. It continues the story of the changing fortunes of the Jia dynasty, focussing on Bao-yu, now married to Bao-chai, after the tragic death of his beloved Dai-yu. Against such worldly elements as death, financial ruin, marriage, decadence and corruption, his karmic journey unfolds. Like a sleepwalker through life, Bao-yu is finally awakened by a vision, which reveals to him that life itself is merely a dream, 'as moonlight mirrored in the water'.

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作者簡介
CAO XUEQIN (1715?-63) was born into a family which for three generations held the office of Commissioner of Imperial Textiles in Nanking, a family so wealthy that they were able to entertain the Emperor Kangxi four times. But calamity overtook them and their property was confiscated. Cao Xuegin was living in poverty near Peking when he wrote his famous novel The Story of the Stone (also known as The Dream of the Red Chamber), of which this is the second volume. The four other volumes, The Golden Days, The Warning Voice, The Debt of Tears and The Dreamer Wakes, are also published in the Penguin Classics.
DAVID HAWKES was Professor of Chinese at Oxford University from Igsq to 1971 and a Research Fellow of All Souls College, from 1973 to 1983. He now lives in retirement in Wales.

㈢ 請幫我寫一篇關於紅樓夢的英語小短文

A Dream of Red Mansions
A Dream of Red Mansions, an ancient novel written by Tsao Hsueh-chin and Kao Hgo; Dream of Red Mansions, an English translation by Yang Hsien-Yi and Gladys Yang, illustrated by Tai Tun-Pang, Volumes I II III, 1,900 pages, hardcover with cloth, Foreign Language Press, Beijing, 1995

The novel as a literary genre has a long history in China, germinating at the time of Wei and Jin and the Northern and Southern Dynasties (A.D. 220-589), growing apace through Tang and Song, and blossoming forth in full splendor ring the Ming and Qing Dynasties with the emergence of some renowned writers and works of which the best known are Luo Guanzhong of late Yuan and early Ming Dynasties and his Romance of the Three Kingdoms, Shi Naian of the same period and his Outlaws of the Marsh, Whu Chenen of Ming Dynasty and his Journey to the West and Cao Xueqin of Qing Dynasty and his book A Dream of the Red Mansions. All these full-length novels are characterized by a complicated and interesting plot, an extensive vista and scope, vivid and realistic characterization and elegant and evocative language, testifying to the high artistic achievement of the authors and the maturity of novel writing in early Chinese literature. These books have enjoyed great popularity among the people and exerted a tremendous influence on their minds. Many of the characters and stories in these novels are known to everyone in China, not excluding housewives and children.

...........

㈣ 紅樓夢英文簡介

1、英文簡介

A Dream of Red Mansions, a Chinese ancient chapter novel, also known as Stone Records, has been listed as the first of the four classical works in China.

It is generally believed to be written by Cao Xueqin, a writer of the Qing Dynasty.

With the rise and fall of Jia, Shi, Wang and Xue as the background, and from the perspective of Jia Baoyu, the rich prince.

the novel depicts a group of life patterns of boudoir ladies whose manners and insights are above the eyebrows, and shows the true beauty of humanity and tragedy.

It can be said that it is an epic that shows the beauty of women from all angles.

Dream of Red Mansions is a world influential human relationship novel. It is universally acknowledged as the peak of Chinese classical novel.

the Encyclopedia of Chinese feudal society and the epitome of traditional culture.

2、翻譯

《紅樓夢》，中國古代章回體長篇小說，又名《石頭記》等，被列為中國古典四大名著之首，一般認為是清代作家曹雪芹所著。

小說以賈、史、王、薛四大家族的興衰為背景，以富貴公子賈寶玉為視角，描繪了一批舉止見識出於須眉之上的閨閣佳人的人生百態，展現了真正的人性美和悲劇美，可以說是一部從各個角度展現女性美的史詩。

《紅樓夢》是一部具有世界影響力的人情小說，舉世公認的中國古典小說巔峰之作，中國封建社會的網路全書，傳統文化的集大成者。

(4)關於紅樓夢的英語作文擴展閱讀：

作者介紹：

1、英文介紹

Cao Xueqin was born in Tieling, Liaoning Province. Cao Xueqin was born in Jiangning. Cao Xueqin was born in the Baiqi Baoyi family of the Qing Dynasty Interior Office.

He was the grandson of Jiangning who weaved Cao Yin and the son of Cao Yong.

In his early years, Cao Xueqin lived in Jiangning Weaving House in Nanjing, where he lived a life of rich and beautiful clothes.

Great-grandfather Cao Xi was appointed to weave in Jiangning, and great-grandmother Sun Shi was the nanny of Emperor Kangxi.

Grandfather Cao Yin was the accompanying reader of Emperor Kangxi and the former guard of Emperor Kangxi, later Jiangning weaving.

and also the imperial envoy of salt inspection in Huaihe and Huaihe provinces. He was greatly favored by Emperor Kangxi.

In Yongzheng's six years, Cao's family was convicted of a crime of deficit and was copied. Cao Xueqin moved back to his old residence in Beijing with his family.

Later, he moved to the western suburbs of Beijing and made a living selling paintings and calligraphy and relief from friends. From then on, Cao's family became weak and declining.

After experiencing a major turning point in life, Cao Xueqin was deeply impressed by the coldness of the world and had a more sober and profound understanding of the feudal society.

He despised dignitaries, stayed away from official life and lived in poverty.

Cao Xueqin is liberal in nature and has a wide range of hobbies. He has studied stone, poetry, painting, garden, traditional Chinese medicine, weaving, mending, craftsmanship, diet and so on.

With perseverance and many years of hardship, he finally created a great work of great ideological and artistic quality, Dream of Red Mansions. In his later years, Cao Xueqin moved to the western suburbs of Beijing.

In the twenty-seventh year of Emperor Qianlong's reign, his youngest son died. He was overwhelmed with grief and grief and was bedridden. On the 28th New Year's Eve of Qianlong, he died of poverty and disease.

2、翻譯

曹雪芹，名沾，字夢阮，號雪芹，又號芹溪、芹圃，中國古典名著《紅樓夢》作者，祖籍遼寧鐵嶺，生於江寧，曹雪芹出身清代內務府正白旗包衣世家，他是江寧織造曹寅之孫，曹顒之子。

曹雪芹早年在南京江寧織造府親歷了一段錦衣紈絝、富貴風流的生活 。曾祖父曹璽任江寧織造；曾祖母孫氏做過康熙帝的保姆。

祖父曹寅做過康熙帝的伴讀和御前侍衛，後任江寧織造，兼任兩淮巡鹽監察御使，極受康熙寵信。

雍正六年，曹家因虧空獲罪被抄家，曹雪芹隨家人遷回北京老宅。後又移居北京西郊，靠賣字畫和朋友救濟為生。曹家從此一蹶不振，日漸衰微。

經歷了生活中的重大轉折，曹雪芹深感世態炎涼，對封建社會有了更清醒、更深刻的認識。他蔑視權貴，遠離官場，過著貧困如洗的艱難日子。

曹雪芹素性放達，愛好廣泛，對金石、詩書、繪畫、園林、中醫、織補、工藝、飲食等均有所研究。

他以堅韌不拔的毅力，歷經多年艱辛，終於創作出極具思想性、藝術性的偉大作品——《紅樓夢》。晚年，曹雪芹移居北京西郊。

乾隆二十七年，幼子夭亡，他陷於過度的憂傷和悲痛，卧床不起。乾隆二十八年除夕，因貧病無醫而逝。

參考資料來源：網路——紅樓夢

㈤ 紅樓夢英文

回答和翻譯如下：
紅樓夢。
The Dream of Red Mansion.

㈥ 紅樓夢簡介 英文版

"The Story of the Stone" redirects here. For Barry Hughart's fantasy novel on ancient China, see The Story of the Stone (Barry Hughart).
For other uses, see Dream of the Red Chamber (disambiguation).
Dream of the Red Chamber (also Red Chamber Dream, Hung Lou Meng or A Dream of Red Mansions) (simplified Chinese: 紅樓夢; traditional Chinese: 紅樓夢; pinyin: Hónglóu mèng), rarely also called The Story of the Stone (simplified Chinese: 石頭記; traditional Chinese: 石頭記; pinyin: Shítóu jì; literally "Record of the Stone"), is a masterpiece of Chinese vernacular literature and one of China's Four Great Classical Novels. The novel was composed some time in the middle of the 18th century ring the Qing Dynasty and is attributed to Cao Xueqin. "Redology" is the field of study devoted exclusively to this work, and the novel is generally acknowledged to be the pinnacle of classical Chinese novels
The novel is believed to be semi-autobiographical, mirroring the fortunes of Cao's own family. As the author details in the first chapter, it is intended to be a memorial to the women he knew in his youth: friends, relatives and servants.
The novel is remarkable not only for its huge cast of characters and psychological scope, but also for its precise and detailed observation of the life and social structures typical of 18th-century Chinese aristocracy.
This novel was published anonymously, but 20th-century Redologists have ascertained its author to be Cao Xueqin, based on circulated commentaries penned in red ink on many of the early handcopied versions known as the "Rouge Versions" (脂本).
The novel is written in vernacular rather than classical Chinese and helped establish the legitimacy of the vernacular idiom. Its author, Cao Xueqin, was well versed in Chinese poetry and in classical Chinese, having written tracts in the erudite semi-wenyan style. The novel's conversations are written in the Beijing Mandarin dialect, which was to become the basis of modern spoken Chinese, with influences from Nanjing-area Mandarin (where Cao's family lived in the early 1700s).

㈦ 求與《紅樓夢》有關的英語論文一篇

Hong Lou Meng, sometimes translated as The Dream of the Red Chamber, the great classical Chinese novel written in the mid-eighteenth century ring the reign of Emperor Chien-lung of the Ching Dynasty, has been widely popular throughout the last two hundred years and more. The four great houses of Chia, Shih, Wang and Hsueh described in this novel were typical basic political units of feudal society.
Such families were linked with the court above and the local officials below to form a network of control with the feudal autocratic state power as its centre. The book depicts the inevitable doom of these families, riven as they are by fierce struggles among themselves and in society, focusing on the tragic love between Jia Baoyu and Lin Daiyu and also provides a panorama of the lives of people of various levels in the degenerating empire.
It is the only one novel so brilliantly integrated with these that readers are fascinated and moved by it. With superb artistry the author presents a panoramic genre-painting, a whole gallery of highly indivial yet typical characters. Through detailed descriptions of their daily life he succeeds in depicting their different idiosyncrasies, thoughts and feelings.
In the use of dialogue too he shows outstanding skill, putting such distinctive speech into each character's mouth that the reader feels as if he can see and hear the speaker. The Ching Dynasty (1644-1911) was the last feudal dynasty in China. The Chien-lung era (1736-95) was the turning point towards the decline of the Ching Dynasty.
Crisis-riven feudalism was already on its last legs. The whole fabric of Chinese feudal society was tottering on the verge of final collapse. This was the period in which Tsao Hsueh-chin the author of A Dream of Red Mansions lived. Tsao Hsueh-chin died in the twenty-eighth year of Chien-lung (1763).

㈧ 求我最喜歡的紅樓夢角色英語作文

紅樓夢(A Dream)
a dream is to a man what wings are to a bird. with a dream in the deep heart`s
core, a man is spontaneously driven to hitch his wagon to a star. a dream is an
inexhaustible source of energy that keeps our enthusiasm burning, and kindles
our desire to enhance our spiritual cultivation, refine our character, and
upgrade our quality of life.

a life without a dream is like a bird with broken wings, confined to a cage
and oblivious of what lies beyond the range of its vision. on the contrary, a
man with a dream is like a warrior armed with ambition, foresight and gallantry,
daring to step into an unknown domain to make a journey of adventure. it is
dream that adds fullness, variety, and spice to our life and makes it worth
living. i have a dream. it is d dream that is deeply rooted in human nature. i
dream that one day people of all origins can live in harmony and peace without
being discriminated against or persecuted. the bounty of the earth can be shared
by every single human being. mutual respect will guarantee the existence and
continuation of the diversity of customs and cultures. love, sympathy, and
cooperation will alleviate the sufferings and disasters inflicted upon our
fellow men.

respect for basic human rights will put an end to social injustices and
evils. when my dream comes true, all men will be truly equal, happy, and
free.

㈨ <紅樓夢>英文版全文

《紅樓夢》 A Dream of The Red Mansions

名字有：
1 A Dream in Red Mansions
2 The Story of the Stone
3 Stone Story（石頭記）
4.dream of the red chamber

第三種翻譯最常見

現在大家比較認可的是楊憲益和戴乃迭夫婦翻譯的英譯本《紅樓夢》，譯為「The Dream of Red Mansion」。楊憲益夫婦是大翻譯家，我本不敢亂說什麼，但我想了很多年，還是覺得，這樣翻譯實際上是翻譯錯了，斗膽說出來，供大家研究、討論。我覺得，《紅樓夢》里所說的「紅樓」並不是「紅色公寓(Red Mansion)」的意思，正如「青樓」不是指「青色的樓」，而是指「妓院」一樣。這里，「紅樓」是指「女兒樓」，或者叫「閨房」，是女孩出嫁之前居住的地方。如果把「紅樓」翻譯成為「Red Mansion」就完全沒有這種「女兒樓」的意思了。但如果僅僅是這個「女兒樓」 的意思，那還比較好翻譯，因為在西方，也有女孩出嫁之前居住的「閨房」，如「boudoir」的意思就是「閨房，女人的卧室或化妝室、起居室」。但如果把《紅樓夢》翻譯為「The dream of Boudoir」仍然是不妥的，因為西方的「閨房」與中國的「閨房」是完全不同的。西方的「閨房」僅僅是女子出嫁之前居住的地方，僅僅是女人的卧室。但中國的「閨房」卻有著更為深刻的文化內涵。中國住在「閨房」里的千金小姐是「大門不出，二門不邁」的，實際上，是處在一種自我封閉，或者說，是處在一種被軟禁的狀態。越是高官貴族的千金小姐，越是處於一種嚴密的監視和控制之下，處於一種封閉的狀態之中，除自己家裡人外，不能與任何男性說話或來往。這在西方簡直是不可思議的。在西方的封建社會里，女孩出嫁前比中國女孩自由多了，她們可以不受任何限制地與男性來往。西方的封建社會，遠不如中國的封建社會那樣封建。所以，西方的「閨房」沒有中國「閨房」里那種封閉的含義。如果把《紅樓夢》翻譯成「The Dream of Boudoir」仍然不能准確地表達出中國所特有的文化內涵。
其實，歸根到底，夢是人做的，不是房子做的，所以，不如索性譯為「The Dream of the Girls」。女孩的夢，東西方都有，也都差不多。未婚女子對愛情的憧憬和追求，東西方也都差不多。《紅樓夢》實際上寫的不是賈寶玉的夢，而是金陵十二釵的夢，更准確地說，是「The Dream of the 12 Girls」。我覺得，這樣翻譯也許比「The Dream of Red Mansion」更准確一些。
或者，乾脆迴避開，索性就叫《石頭記》吧。「The Story of the Stone」就不會有任何爭議了。

花了不少時間尋找的啊。